{"id":8796,"date":"2016-02-22T11:02:16","date_gmt":"2016-02-22T16:02:16","guid":{"rendered":"http:\/\/sfioanevanghelistul.ca\/wordpress\/?p=8796"},"modified":"2016-02-22T11:36:53","modified_gmt":"2016-02-22T16:36:53","slug":"19-februarie-2016-140-de-ani-de-la-nasterea-lui-brancusi","status":"publish","type":"post","link":"http:\/\/sfioanevanghelistul.ca\/wordpress\/en\/2016\/02\/22\/19-februarie-2016-140-de-ani-de-la-nasterea-lui-brancusi\/","title":{"rendered":"The birth of Br\u00e2ncu\u0219i"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify;\"><span id=\"result_box\" class=\"\" lang=\"en\"><span title=\"Constantin Br\u00e2ncu\u015fi se na\u015fte la 19 februarie 1876, \u00een Hobi\u0163a, un mic sat din comuna Pe\u015fti\u015fani, jude\u0163ul Gorj, la poalele Carpa\u0163ilor.\">Constantin Brancusi was born on 19 February 1876 in Hobi\u0163a, a small village from Pe\u015fti\u015fani, Gorj County, at the foot of the Carpathians. <\/span><span title=\"Este al cincilea copil al Mariei \u015fi al lui Radu Nicolae Br\u00e2ncu\u015fi. \">It is the fifth child of Mary and Radu Nicolae Brancusi.<br \/>\n<\/span><span title=\"Cu toate c\u0103 provenea dintr-o familie de \u0163\u0103rani \u00eenst\u0103rit\u0103, Br\u00e2ncu\u015fi duce o via\u0163\u0103 modest\u0103, \u00eens\u0103 una din care avea s\u0103-\u015fi culeag\u0103 reperele care-i vor ghida viziunea artistic\u0103 t\u00e2rzie.\">Although came from a family of wealthy peasants, Brancusi lead a modest life, but one who had to pick the landmarks that will guide her artistic vision later. <\/span><span title=\"Amintindu-\u015fi de copil\u0103rie \u015fi de locurile \u00een care a crescut, artistul avea s\u0103 m\u0103rturiseasc\u0103, \u00eentr-o \u00eent\u00e2lnire cu Petre \u0162u\u0163ea, de la Paris, din 1933: \">Remembering childhood and the places where he grew up artist had to confess, in a meeting with Petre \u0162u\u0163ea, Paris, 1933:<br \/>\n<\/span><span title=\"\u201ePe atunci via\u0163a era frumoas\u0103 \u015fi armonioas\u0103.\">&#8220;Back then life was beautiful and harmonious. <\/span><span title=\"De milenii, oamenii duceau, ferici\u0163i, o via\u0163\u0103 patriarhal\u0103.\">For millennia, people going, happy life patriarchal. <\/span><span title=\"Totul trecea lini\u015ftit de la un anotimp la altul.\">Everything went quiet from one season to another. <\/span><span title=\"\u015ei \u015fti\u0163i de ce s-au schimbat lucrurile?\">And you know why things have changed? <\/span><span title=\"Civiliza\u0163ia marelui ora\u015f a ajuns p\u00e2n\u0103 la noi\u201c. \">Civilization great city has come down to us. &#8221;<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"http:\/\/adevarul.ro\/assets\/adevarul.ro\/MRImage\/2016\/02\/12\/56bde5945ab6550cb8b93143\/646x404.jpg\" alt=\"\" width=\"479\" height=\"300\" \/><\/span><span title=\"Copil\u0103ria lui Br\u00e2ncu\u015fi a fost \u00eens\u0103 departe de una idilic\u0103.\">But Brancusi&#8217;s childhood was far from idyllic one. <\/span><span title=\"Unul dintre momentele petrecute \u00een ace\u015fti primi ani de via\u0163\u0103 este extrem de sugestiv pentru combina\u0163ia de puritate \u015fi violen\u0163\u0103 care i-au caracterizat viitorului sculptor anii petrecu\u0163i \u00een localitatea natal\u0103.\">One of the moments spent in these first years of life is extremely suggestive combination of purity and violence that have marked his years in the future sculptor hometown. <\/span><span title=\"Momentul este reprodus \u00een lucrarea \u201eBr\u00e2ncu\u015fi.\">The timing is reproduced in &#8220;Brancusi. <\/span><span title=\"O biografie\u201c, scris\u0103 de Alexandru Buican.\">A biography &#8220;written by Alexander Buican. <\/span><span title=\"\u00cen 1879, Constantin Br\u00e2ncu\u015fi avea 3 ani.\">In 1879, Constantin Brancusi was 3 years old. <\/span><span title=\"\u00cen toamna acelui an, c\u00e2nd se f\u0103cea \u0163uica \u201ela cazan\u201c, urm\u0103rindu-i pe cei care degust\u0103 lichidul ca s\u0103 vad\u0103 dac\u0103 procesul se desf\u0103\u015foar\u0103 cum trebuie, Br\u00e2ncu\u015fi prinde un moment de neaten\u0163ie general\u0103.\">In the autumn of that year, when it was brandy &#8220;boiler&#8221;, aiming at those who tasting liquid to see if the process is conducted properly, Brancusi overall catch a moment of inattention. <\/span><span title=\"\u00ce\u015fi umple c\u0103u\u015ful palmelor cu \u0163uic\u0103 \u015fi bea pe ner\u0103suflate.\">He fills his cupped hands with brandy and drink in one gulp. <\/span><span title=\"Cade \u00een somn aproape instantaneu.\">Cade sleep almost instantly. <\/span><span title=\"Primii oameni observ\u0103 abia dup\u0103 c\u00e2teva minute.\">Early humans noticed only after several minutes. <\/span><span title=\"Mama intr\u0103 \u00een panic\u0103, apoi \u00een isterie, crez\u00e2nd c\u0103 fiul i-a murit.\">Mom panics, then hysteria, believing that her son died. <\/span><span title=\"Spre sear\u0103, c\u00e2nd tat\u0103l, Radu, se \u00eentoarce de la vie \u00eenso\u0163it de l\u0103utari, acesta vede din dep\u0103rtare semnele disperate ale celor care-l a\u015fteapt\u0103 cu sufletul la gur\u0103.\">Towards evening, when the father, Roger, returning from living together musicians, it&#8217;s desperate signs visible from afar who awaits him breathless. <\/span><span title=\"Petrecerea se transform\u0103 imediat \u00een jale.\">The party immediately turns into mourning. <\/span><span title=\"Tat\u0103l se g\u00e2nde\u015fte deja la \u00eengrop\u0103ciune.\">Father is already thinking to burial. <\/span><span title=\"Totu\u015fi, cineva g\u0103se\u015fte c\u0103 e bine s-o cheme pe Baba Br\u00e2ndu\u015fa, doftoroaie \u015fi servitoare a Br\u00e2ncu\u015filor.\">Yet one finds it good to a call Baba Br\u00e2ndu\u015fa, doftoroaie and maid of Brancusi. <\/span><span title=\"Br\u00e2ndu\u015fa verific\u0103 respira\u0163ia copilului, apoi \u00eei pune sub nas baleg\u0103 de cal, adunat\u0103 din preajm\u0103.\">Br\u00e2ndu\u015fa check baby&#8217;s breath, then put them under the nose of horse dung, collected from around. <\/span><span title=\"Copilul str\u0103nut\u0103 puternic.\">The child sneezes stronger. <\/span><span title=\"Lumea aplaud\u0103.\">The world applauds. <\/span><span title=\"\u00cen vreme ce b\u0103iatul e l\u0103sat s\u0103-\u015fi doarm\u0103 mai departe be\u0163ia, de bucurie, petrecerea cu l\u0103utari continu\u0103 cu \u015fi mai mult\u0103 for\u0163\u0103.\">While the boy is allowed to sleep on drunkenness, joy, party with musicians and continues with more force. <\/span><span title=\"A doua zi, tat\u0103l \u015fi fiul se \u00eent\u00e2lnesc prin livad\u0103.\">The next day, father and son meet orchard. <\/span><span title=\"Radu Br\u00e2ncu\u015fi \u00eel pune pe Constantin s\u0103 adune ni\u015fte nuiele \u015fi s\u0103 i le aduc\u0103.\">Radu Constantin Brancusi puts to gather some twigs and bring it to him. <\/span><span title=\"Tat\u0103l \u00ee\u015fi a\u015faz\u0103 copilul cu capul \u00een jos \u015fi, cu nuielele aduse de b\u0103iat, \u00eel bate ca s\u0103 \u0163in\u0103 minte.\">Father child puts his head down and with canes to the boy, knocking him to remember. <\/span><span title=\"\u015ei, \u00een timp ce simte usturimea loviturilor, micul Br\u00e2ncu\u015fi are revela\u0163ia c\u0103 lumea poate fi privit\u0103 \u015fi dintr-o alt\u0103 perspectiv\u0103 \u015fi c\u0103 lucrurile din jur pot ap\u0103rea r\u0103sturnate.\">And while he feels stinging blows, Brancusi has little revelation that the world can also be seen from another perspective and things around that may arise overturned. <\/span><span title=\"Mai ales pozi\u0163ia soarelui, diferit\u0103 de cea binecunoscut\u0103, \u00eel face s\u0103 se \u00eentrebe, dup\u0103 cum avea s\u0103 recunoasc\u0103 la b\u0103tr\u00e2ne\u0163e, dac\u0103 nu cumva \u00eensu\u015fi astrul participa la tulburarea lui.\">Especially the sun&#8217;s position, different from the known, makes him wonder, as old age have to recognize, if not himself attend the star&#8217;s disorder. <\/span><span title=\"\u201eS\u0103 fi fost \u015fi soarele la fel de tulburat ca tat\u0103l s\u0103u de ceea ce i se \u00eent\u00e2mplase?\u201c. \">&#8220;Was the sun as troubled as his father what had happened?&#8221;.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"Rena\u015fterea de la Craiova \"><strong>Renaissance in Craiova City<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"La fel ca al\u0163i copii de \u0163\u0103rani din acea vreme, Constantin nu merge la \u015fcoal\u0103.\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/adevarul.ro\/assets\/adevarul.ro\/MRImage\/2015\/09\/05\/55eae42ff5eaafab2c4951f8\/646x404.jpg\" alt=\"\" width=\"556\" height=\"348\" \/>Like other children of peasants at that time, Constantine did not go to school. <\/span><span title=\"De la 7 ani lucreaz\u0103 ca p\u0103stor, av\u00e2nd grij\u0103 mai \u00eent\u00e2i de turma familiei, apoi lucr\u00e2nd pentru al\u0163ii, \u00een Mun\u0163ii Carpa\u0163i.\">From seven years working as a shepherd taking care of the sheep family first and then work for others in the Carpathian Mountains. <\/span><span title=\"Aici, \u00eenva\u0163\u0103 s\u0103 sculpteze \u00een lemn, o art\u0103 popular\u0103 la mod\u0103 \u00een Rom\u00e2nia rural\u0103 a acelor ani, folosit\u0103 pentru a produce linguri, picioare de pat, butoaie de br\u00e2nz\u0103 \u015fi fa\u0163ade de case, toate \u00eempodobite cu gravuri.\">Here, learn how to carve wood, folk art fashionable in rural Romania of those years, used to make spoons, foot bed, barrels cheese and facades of houses, all decorated with engravings. <\/span><span title=\"La 9 ani, Br\u00e2ncu\u015fi pleac\u0103 la T\u00e2rgu Jiu, \u00een Oltenia, pentru a c\u0103uta de lucru.\">At 9 years old, leaving Brancusi Targu Jiu, Oltenia, to seek work. <\/span><span title=\"Mai \u00eent\u00e2i, este angajat \u00eentr-o vopsitorie.\">First, it is engaged in a painting. <\/span><span title=\"Revine la Hobi\u0163a cu degetele pline de vopsele \u015fi arse de vitriol, \u00eens\u0103 nu renun\u0163\u0103.\">Returns to Hobi\u0163a fingers full of paint and burnt by vitriol, but do not give up. <\/span><span title=\"Peste numai doi ani, pleac\u0103 din nou, de data aceasta la Slatina, unde se angajeaz\u0103 ca argat la un b\u0103can din localitate.\">In just two years, leaving again, this time in Slatina, where they engage as servant to a local grocer. <\/span><span title=\"Urmeaz\u0103 alte locuri de munc\u0103, la fel de nerecomandate minorilor, printre care cea dintr-o c\u00e2rcium\u0103 din Craiova, unde Br\u00e2ncu\u015fi r\u0103m\u00e2ne c\u00e2\u0163iva ani. \">Follow other jobs as unsuitable for juveniles, including that of a pub in Craiova, where Brancusi remains several years.<br \/>\n<\/span><span title=\"\u201eLa Craiova m-am n\u0103scut a doua oar\u0103!\u201c, avea s\u0103 afirme ulterior artistul, o recunoa\u015ftere a locului unde \u00ee\u015fi va g\u0103si drumul, meseria, \u00eenceputul.\">&#8220;In Craiova I was born a second time!&#8221; She would say later artist, a recognition of the place where it will find its way, the job beginning. <\/span><span title=\"\u00cen tot acest timp, \u00ee\u015fi p\u0103streaz\u0103 gustul pentru lucrul \u00een lemn \u015fi se implic\u0103 \u00een proiecte de sculptur\u0103 elaborate.\">Meanwhile, retains the taste for working in wood and is involved in sculpture projects developed. <\/span><span title=\"Performan\u0163ele sale atrag aten\u0163ia unui industria\u015f care, \u00een 1894, \u00eel aduce la \u015ecoala de Arte \u015fi Meserii din Craiova.\">His performances attract the attention of an industrialist who, in 1894, brings the School of Arts and Crafts in Craiova. <\/span><span title=\"Pentru a urma cursurile institu\u0163iei de \u00eenv\u0103\u0163\u0103m\u00e2nt, t\u00e2n\u0103rul Br\u00e2ncu\u015fi \u00eenva\u0163\u0103 singur s\u0103 scrie \u015fi s\u0103 citeasc\u0103.\">To attend educational institution teaches the young Brancusi himself to read and write. <\/span><span title=\"Lucreaz\u0103 cu \u00eend\u00e2rjire \u015fi ob\u0163ine o burs\u0103, \u00eencheind \u00een patru ani studiile a c\u0103ror durat\u0103 normal\u0103 era de cinci ani.\">Working furiously and get a scholarship, finishing in four years studies whose normal duration was five years. <\/span><span title=\"De altfel, recuno\u015ftea Br\u00e2ncu\u015fi, \u00een 1938, \u201emunca istovitoare, asidu\u0103 \u015fi tenace, \u00eendem\u00e2narea \u015fi pasiunea, de aici, din \u015fcoal\u0103 le-am deprins\u201c.\">Moreover, acknowledged Brancusi in 1938 &#8220;hard work, hard and tough, skill and passion, here in school we learned.&#8221; <\/span><span title=\"\u00cen toamna lui 1898, este admis la \u015ecoala Na\u0163ional\u0103 de Arte Frumoase de la Bucure\u015fti.\">In the fall of 1898, he entered the National School of Fine Arts in Bucharest. <\/span><span title=\"Pentru a urma cursurile este nevoit s\u0103-\u015fi v\u00e2nd\u0103 partea sa de mo\u015ftenire de la Hobi\u0163a unuia dintre fra\u0163i.\">To attend is forced to sell his lot from Hobi\u0163a one of the brothers. <\/span><span title=\"Munce\u015fte \u00eencontinuu.\">Work continuously. <\/span><span title=\"Con\u015ftiincios \u015fi perseverent, studiaz\u0103 tot ce i se cere, obsedat s\u0103 st\u0103p\u00e2neasc\u0103 toate cuno\u015ftin\u0163ele care i se predau, indiferent c\u00e2t de importante p\u0103reau.\">Conscientious and persevering, studying everything required, obsessed to master all the knowledge that is taught, no matter how important they seemed. <\/span><span title=\"Doi ani mai t\u00e2rziu, ob\u0163ine prima medalie de bronz pentru \u201eCapul lui Laocoon\u201c, un bust dup\u0103 un model antic.\">Two years later, get the first bronze medal for &#8220;Head of Laocoon &#8216;, a bust after an antique model. <\/span><span title=\"Iar \u00een 1903 prime\u015fte prima comand\u0103 a unui monument public: bustul generalului medic Carol Davila, lucrare care va fi instalat\u0103 la Spitalul Militar din Bucure\u015fti.\">And in 1903 he received the first order of a public monument bust of General doctor Carol Davila, work that will be installed at the Military Hospital in Bucharest. <\/span><span title=\"De altfel, acesta va r\u0103m\u00e2ne singurul monument public al lui Constantin Br\u00e2ncu\u015fi din Capital\u0103.\">Otherwise, it will remain the only public monument in the capital of Constantin Brancusi. <\/span><span title=\"O alt\u0103 lucrare din aceast\u0103 perioad\u0103, conceput\u0103 sub \u00eendrumarea profesorului s\u0103u de anatomie, Dimitrie Gerota, este statuia unui b\u0103rbat f\u0103r\u0103 piele, dezv\u0103luindu-i \u00een detaliu fiecare mu\u015fchi.\">Another work from this period, designed under the guidance of his professor of anatomy, Demetrius Gerota is the statue of a man without skin, revealing in detail every muscle. <\/span><span title=\"Lucrarea, expus\u0103 la Ateneul Rom\u00e2n, \u00een 1903, arat\u0103 \u00eenceputurile uneia dintre ideile fundamentale ale sculptorului: c\u0103utarea esen\u0163ei, \u00een locul simplei aparen\u0163e exterioare.\">The work was exhibited at the Romanian Athenaeum in 1903 shows the beginnings of one of the fundamental ideas of the sculptor: seeking the essence, rather than simply external appearances. <\/span><span title=\"\u00cen 1902, Br\u00e2ncu\u015fi absolvea \u015fcoala, cu calificative maxime \u015fi anun\u0163\u00e2nd un viitor str\u0103lucitor. \">In 1902, Brancusi left school with top marks and announcing a bright future.<\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"Vin vremuri grele: \u201eAm inventat chiar sp\u0103latul paharelor cu rapiditate\u201c \"><strong>Hard times come: &#8220;We even invented washing glasses quickly&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"Constantin Br\u00e2ncu\u015fi iese prima dat\u0103 din \u0163ar\u0103 la 20 de ani, \u00een 1896. Merge la Viena, pe Dun\u0103re, unde se angajeaz\u0103 cioplitor de lemn, pentru a-\u015fi putea sus\u0163ine \u015federea.\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"http:\/\/adevarul.ro\/assets\/adevarul.ro\/MRImage\/2015\/09\/05\/55eae2a5f5eaafab2c494aa2\/646x404.jpg\" alt=\"\" width=\"540\" height=\"338\" \/>Constantin Brancusi comes first in the country to 20 years, in 1896. He goes to Vienna on the Danube, where wood carver is committed to to support his stay. <\/span><span title=\"Nu petrece mult \u00een actuala capital\u0103 a Austriei, \u00eens\u0103 impactul Occidentului este uria\u015f. \">Do not spend much in the current capital of Austria, but the impact is huge West.<br \/>\n<\/span><span title=\"\u00cen 1903, dup\u0103 terminarea stagiului militar, Br\u00e2ncu\u015fi este atras de faima sculptorului Auguste Rodin, care se r\u0103sp\u00e2ndise de la Paris la Bucure\u015fti.\">In 1903, after completing his military service, Brancusi is sculptor Auguste Rodin attracted by the fame that had spread from Paris to Bucharest. <\/span><span title=\"Teoriile \u00eendr\u0103zne\u0163e ale lui Rodin erau discutate \u00een toate mediile culturale ale epocii, \u00een aceea\u015fi m\u0103sur\u0103 de c\u0103tre avangardi\u015fti \u015fi de academicieni.\">Rodin&#8217;s bold theories were discussed in all cultural environments of the time, just as the vanguard and academics. <\/span><span title=\"Exemplul lui Rodin \u00eei treze\u015fte lui Br\u00e2ncu\u015fi curiozitatea de a vedea ce se \u00eent\u00e2mpl\u0103 \u00een art\u0103 dincolo de grani\u0163ele Rom\u00e2niei.\">Rodin&#8217;s example Brancusi awakens curiosity to see what happens in art beyond Romania&#8217;s borders. <\/span><span title=\"Pleac\u0103 la M\u00fcnchen, \u00een Germania, unde r\u0103m\u00e2ne p\u00e2n\u0103 \u00een prim\u0103vara lui 1904. Apoi, se decide s\u0103 mearg\u0103 la Paris, o c\u0103l\u0103torie costisitoare pentru un om cu un venit modest.\">Get in Munich, Germany, where he remained until the spring of 1904. Then it decides to go to Paris, a trip costly for a man with a modest income. <\/span><span title=\"Expedi\u0163ia pare ast\u0103zi desprins\u0103 din vreun fel de film de aventuri.\">Expedition today seems detached from any sort of thriller. <\/span><span title=\"O mare parte a c\u0103l\u0103toriei este f\u0103cut\u0103 pe jos, cu geanta la spate.\">Much of the trip is done away with the bag back. <\/span><span title=\"Bun\u0103oar\u0103, pentru a putea pl\u0103ti barca ce-l trecea lacul Konstanz, Br\u00e2ncu\u015fi este nevoit s\u0103-\u015fi v\u00e2nd\u0103 ceasul.\">For example, to pay for what it was passing boat Lake Constance, Brancusi is forced to sell the clock. <\/span><span title=\"\u00cen drum spre Paris, se opre\u015fte \u015fi la Budapesta, Viena, M\u00fcnchen, Z\u00fcrich \u015fi Basel, pentru a vizita muzee \u015fi ateliere de pictori \u015fi sculptori.\">On the way to Paris, and stops in Budapest, Vienna, Munich, Zurich and Basel to visit museums and workshops of painters and sculptors. <\/span><span title=\"Dup\u0103 o ploaie toren\u0163ial\u0103, se \u00eemboln\u0103ve\u015fte pe drum de pneumonie infec\u0163ioas\u0103 \u015fi, \u00een stare critic\u0103, este primit la un spital de maici.\">After a downpour, gets sick on the road and infectious pneumonia in critical condition, is received at a hospital nun. <\/span><span title=\"Urmeaz\u0103 o perioad\u0103 de recuperare, la finalul c\u0103reia \u00ee\u015fi d\u0103 seama c\u0103 nu mai are puterile \u015fi nici timpul necesar pentru a duce drumul spre Paris pe jos, a\u015fa c\u0103 ultima bucat\u0103 a drumului o parcurge cu trenul.\">A period of recovery at the end of which he realizes he does not have the powers or the time required to lead the way to Paris on foot, so that the last piece of road travels by train. <\/span><span title=\"\u201eN-aveam unde dormi pe vreme rea.\">&#8220;I had a place to sleep in bad weather. <\/span><span title=\"Am \u00eent\u00e2lnit un vagabond care m-a \u00eendrumat la o cas\u0103 de ad\u0103post pentru lucr\u0103torii care mergeau dintr-un ora\u015f \u00eentr-altul s\u0103-\u015fi caute de lucru.\">I met a homeless man who guided me to a house of shelter for workers who went from one town to another to look for work. <\/span><span title=\"\u015ei acolo mi-au dat \u015fi mie un mic ajutor, a\u015fa c\u0103 am ajuns la Basel, unde mi-am v\u00e2ndut restul de haine.\">And there they gave to me a little help, so I came to Basel, where I sold the rest of clothes. <\/span><span title=\"\u00cen Alsacia m-a prins pe c\u00e2mp o ploaie toren\u0163ial\u0103 \u015fi apoi am z\u0103cut bolnav\u2026 un prieten m-a \u00eengrijit\u2026 Tot drumul acesta pe jos, prin Bavaria, Elve\u0163ia, Alsacia, l-am f\u0103cut u\u015for.\">In Alsace I caught a downpour on the field and then I lay sick &#8230; a friend &#8230; I nursed it all the way on foot through Bavaria, Switzerland, Alsace, I made it easy. <\/span><span title=\"Mergeam c\u00e2nt\u00e2nd.\">I went singing. <\/span><span title=\"\u015etiam c\u0103 ceea ce trebuie s\u0103 se \u00eent\u00e2mple, se va \u00eent\u00e2mpla\u2026\u201d, povestea Br\u00e2ncu\u015fi \u00eentr-un interviu, \u00een 1942. La final, \u00eenvinge.\">I knew what must happen, will happen &#8230; &#8220;Brancusi story in an interview in 1942. In the end, defeat. <\/span><span title=\"Parisul i se deschide \u00een fa\u0163a ochilor.\">Paris is open before your eyes. <\/span><span title=\"Era iulie, 1904. \">It was July 1904.<\/span><\/p>\n<p style=\"text-align: justify;\"><strong><span title=\"Foamea.\">Hunger. <\/span><\/strong><span title=\"Boala. \"><strong>Disease.<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"Greut\u0103\u0163ile abia \u00eencepeau, \u00eens\u0103.\">Weights were only just beginning, however. <\/span><span title=\"Un an \u015fi jum\u0103tate, Br\u00e2ncu\u015fi nu va putea s\u0103 lucreze nimic la Paris.\">A year and a half, Brancusi will not be able to work anything in Paris. <\/span><span title=\"Drumul lung, numeroasele boli \u015fi, mai ales, lipsa banilor, p\u00e2n\u0103 \u00een punctul \u00een care hrana zilnic\u0103 devenise o mare problem\u0103 \u00eel chinuiesc cumplit.\">Long way, numerous diseases and, especially, lack of money, to the point where daily food had become a big problem tormented him terribly. <\/span><span title=\"\u201eLa Paris am dus-o greu, la \u00eenceput.\">&#8220;In Paris I took it hard at first. <\/span><span title=\"Uneori m\u0103 \u0163ineam de ziduri ca s\u0103 nu cad.\">Sometimes I kept the walls that might fall. <\/span><span title=\"De foame.\">Hungry. <\/span><span title=\"De boal\u0103\u201c, \u00ee\u015fi amintea sculptorul \u00een acela\u015fi interviu din 1942. Este nevoit din nou s\u0103 recurg\u0103 la slujbe m\u0103runte care, \u00eens\u0103, nu-i permit s\u0103-\u015fi continue studiile.\">Disease &#8220;, recalled in the same interview sculptor in 1942. It again had to resort to petty jobs which, however, do not allow him to continue his studies. <\/span><span title=\"\u201eLa Paris am lucrat, la \u00eenceput, pentru a-mi c\u00e2\u015ftiga existen\u0163a, ca sp\u0103l\u0103tor de vase \u00een restaurante.\">&#8220;In Paris I worked at first, to earn my living as a dishwasher in restaurants. <\/span><span title=\"Eram un soi de paharnic.\">I was a sort of butler. <\/span><span title=\"Nu turnam vin boierilor.\">Do not pour wine boyars. <\/span><span title=\"M\u0103 specializasem \u00een sp\u0103latul paharelor.\">I specialize in washing glasses. <\/span><span title=\"Am f\u0103cut chiar o inven\u0163ie pentru sp\u0103latul paharelor cu rapiditate.\">I even made an invention for washing glasses quickly. <\/span><span title=\"P\u00e2n\u0103 la mine se sp\u0103la \u00een dou\u0103 r\u00e2nduri de ape: un r\u00e2nd de ap\u0103 cald\u0103 \u015fi un r\u00e2nd de ap\u0103 rece.\">By me wash water twice: a row of a row of hot water and cold water. <\/span><span title=\"Eu am suprimat apa rece \u015fi utilizam numai ap\u0103 fierbinte.\">I suppressed only use cold water and hot water. <\/span><span title=\"Apa fierbinte dizolva automat gr\u0103simile, era higenic\u0103 \u015fi paharele se uscau mai repede\u2026 \u00eemi frigeam buricele degetelor grosolane de sculptor, dar m\u0103 resemnam\u201c, povestea Br\u00e2ncu\u015fi.\">Hot water automatically dissolve fat was higenic\u0103 and dried the glasses is faster &#8230; my cold fingertips coarse sculptor, but I resign, &#8220;the story Brancusi. <\/span><span title=\"\u00cen anul 1905, prime\u015fte o burs\u0103 din partea ministrului rom\u00e2n al Cultelor \u015fi Instruc\u0163iunii Publice \u015fi se \u00eenscrie la examenul de admitere la \u015ecoala de Belle Arte, unde va \u00eenv\u0103\u0163a la clasa sculptorului Antonin Merci\u00e9.\">In 1905 he receives a scholarship from the Romanian Minister of Culture and Public Education and the exams for admission to the School of Fine Arts, where he will teach the class sculptor Antonin thanks. <\/span><span title=\"\u00cen acest atelier \u00eel va \u00eent\u00e2lni \u015fi pe celebrul pictor Amedeo Modigliani cu care va lega o str\u00e2ns\u0103 prietenie.\">In this workshop she will meet the famous painter Amedeo Modigliani and for tying a close friendship. <\/span><span title=\"\u00cen 1906, Constantin Br\u00e2ncu\u015fi expune pentru prima dat\u0103 la Soci\u00e9t\u00e9 Nationale des Beaux-Arts \u015fi la Salon d\u2019Automne din Paris, \u00eens\u0103 este departe de a fi mul\u0163umit, de\u015fi ziarele franceze \u00eel ridicau deja \u00een sl\u0103vi.\">In 1906, Constantin Brancusi exhibit for the first time in Soci\u00e9t\u00e9 Nationale des Beaux-Arts Salon d&#8217;Automne and in Paris, but it is far from being satisfied, although it still amounted French newspapers praised. <\/span><span title=\"Chiar Rodin, mentorul lui Br\u00e2ncu\u015fi \u015fi omul care domina sculptura acelui moment, particip\u0103 la vernisajul din 1907 al salonului Societ\u0103\u0163ii Na\u0163ionale a Artelor Franceze.\">Even Rodin, Brancusi&#8217;s mentor and the man who dominates sculpture that time, participating in the 1907 opening of the salon French National Society of Arts. <\/span><span title=\"Aici, lui Br\u00e2ncu\u015fi \u00eei sunt prezentate trei lucr\u0103ri: un bust, un cap de copil \u015fi \u201eM\u00eendria\u201c.\">Here Brancusi is submitted three works: a bust, the head of a child and &#8220;pride&#8221;. <\/span><span title=\"Rodin le prive\u015fte \u015fi spune at\u00e2t: \u201eNu-i deloc r\u0103u, deloc r\u0103u..\u201c.\">Rodin them both and says: &#8220;Not all bad, not bad at all ..&#8221;. <\/span><span title=\"1906. Br\u00e2ncu\u015fi \u00eempline\u015fte 30 de ani \u015fi trebuie s\u0103 p\u0103r\u0103seasc\u0103 \u015ecoala de Belle Arte.\">1906 30th Anniversary Brancusi and must leave the School of Fine Arts. <\/span><span title=\"Atinsese limita de v\u00e2rst\u0103 p\u00e2n\u0103 la care putea s\u0103 fie student.\">Reached the age limit up to which the student may be. <\/span><span title=\"\u00cen plus, devenise deja un sculptor cunoscut \u015fi pre\u0163uit \u015fi expunea cu regularitate la Saloanele de la Paris \u015fi Bucure\u015fti.\">In addition, he had become a sculptor known and cherished and regularly exposed at the Salons in Paris and Bucharest. <\/span><span title=\"\u00centr-un gest de recunoa\u015ftere, Rodin se ofer\u0103 chiar s\u0103-l primeasc\u0103 ucenic, o onoare pentru orice artist al epocii respective.\">In a gesture of recognition, Rodin even offer apprentice to receive an honor for any artist of that era. <\/span><span title=\"Br\u00e2ncu\u015fi \u00eel refuz\u0103, m\u0103rturisind motivul mul\u0163i ani mai t\u00e2rziu, \u00eentr-o propozi\u0163ie devenit\u0103 celebr\u0103.\">Brancusi refuses, confessing why many years later, in a sentence that became famous. <\/span><span title=\"Citi\u0163i-o, e posibil chiar s\u0103 o fi v\u0103zut pe Facebook, ca un status: \u201eNimic nu cre\u015fte la umbra marilor copaci\u201c.\">Read it, you may even have seen on Facebook as a status: &#8220;Nothing grows in the shade of large trees.&#8221; <\/span><span title=\"Sculptorul rom\u00e2n avea planurile sale \u015fi o viziune proprie despre cum s\u0103-\u015fi dep\u0103\u015feasc\u0103 \u00een celebritate mentorul. \">Romanian sculptor had his plans and his own vision on how to overcome the celebrity mentor.<\/span><\/p>\n<p style=\"text-align: justify;\"><strong><span title=\"\u201eTrebuia s\u0103-mi caut calea mea.\">&#8220;I had to look for my path. <\/span><\/strong><span title=\"Am ajuns la simplitate\u201c \"><strong>We achieve simplicity &#8220;<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"Anul 1909 \u00eel g\u0103se\u015fte pe Br\u00e2ncu\u015fi \u00eentr-un atelier din strada Montparnasse, din Paris.\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"http:\/\/www.fotomagazin.ro\/ftm20\/archives\/2010\/08\/22\/atelier_brancusi_06.jpg\" alt=\"\" width=\"475\" height=\"357\" \/>1909 finds Brancusi in a workshop Street Montparnasse, Paris. <\/span><span title=\"Este vizitat zilnic de crema intelectualit\u0103\u0163ii vremii.\">Cream is daily visited by intellectuals weather. <\/span><span title=\"Printre prietenii s\u0103i se num\u0103r\u0103 Amedeo Modigliani, Guillaume Apollinaire, Fernand L\u00e9ger sau Marcel Duchamp.\">Among his friends are Amedeo Modigliani, Guillaume Apollinaire, Fernand L\u00e9ger and Marcel Duchamp. <\/span><span title=\"\u201eLa Paris am fost prieten cu Matisse, cu Erik Satie, cu Modigliani \u015fi, \u00een special, cu Guillaume Apollinaire, a c\u0103rui moarte a fost un dezastru pentru arta modern\u0103.\">&#8220;In Paris I was friends with Matisse, Erik Satie, with Modigliani and, in particular, Guillaume Apollinaire, whose death was a disaster for modern art. <\/span><span title=\"Era un camarad minunat.\">It was a wonderful companion. <\/span><span title=\"Te sim\u0163eai cot la cot cu el.\">You felt alongside him. <\/span><span title=\"Am intrat ca elev \u00een atelierul lui Antonin Merci\u00e9, unde ajunsesem la o mare dexteritate tehnic\u0103.\">I went as a student in the workshop of Antonin Mercie&#8217;s where I had come from a great technical dexterity. <\/span><span title=\"F\u0103ceam c\u00e2te o sculptur\u0103 pe zi \u00een genul lui Rodin.\">I did one day like sculpture by Rodin. <\/span><span title=\"N-am mai putut tr\u0103i \u00een preajma lui, a maestrului Merci\u00e9, de\u015fi m\u0103 iubea.\">I could not live around him, the master Mercator although he loved me. <\/span><span title=\"F\u0103ceam ca \u015fi el\u2026 Au fost anii cei mai grei, anii c\u0103ut\u0103rilor, anii de reg\u0103sire a unui drum propriu.\">I did like him &#8230; it was the hardest years, during searches, years of finding a proper way. <\/span><span title=\"Am plecat de la Merci\u00e9, l-am sup\u0103rat, dar trebuia s\u0103-mi caut calea mea.\">I left the Mercat, I upset, but I had to look for my path. <\/span><span title=\"Am ajuns la simplitate, la pace \u015fi bucurie, din dificult\u0103\u0163i intime\u201c.\">We achieve simplicity, peace and joy of intimate difficulties &#8220;. <\/span><span title=\"\u00cen fapt, din aceast\u0103 m\u0103rturie asupra acelor ani, oferit\u0103 de Constantin Br\u00e2ncu\u015fi \u00eensu\u015fi, la b\u0103tr\u00e2ne\u0163e, lipse\u015fte ceva.\">In fact, in this testimony on those years, offered by Constantin Brancusi himself in old age, something is missing. <\/span><span title=\"La acest moment, 1909, artistul rom\u00e2n avea deja bazele viitoarei sale concep\u0163ii estetice, cea care avea s\u0103-i aduc\u0103 renumele de ast\u0103zi.\">At this time, in 1909, the Romanian artist had already Aesthetic bases its future outlook, one that would bring him fame today. <\/span><span title=\"Cu doi ani \u00eenainte, \u00een 1907, fusese angajat s\u0103 sculpteze monumentul funerar al unui mo\u015fier bogat, \u00een cimitirul din Buz\u0103u.\">Two years before, in 1907, he was hired to carve the tomb of a wealthy landowner, in the cemetery of Buzau. <\/span><span title=\"Lucrarea final\u0103 a lui Br\u00e2ncu\u015fi fusese o statuie reprezent\u00e2nd o t\u00e2n\u0103r\u0103 care \u00eengenuncheaz\u0103.\">The final work of Brancusi had a statue representing a young woman who kneels. <\/span><span title=\"Intitulat\u0103 \u201eRug\u0103ciune\u201d, opera de art\u0103 este considerat\u0103 ast\u0103zi o reprezentant\u0103 a primei etape de evolu\u0163ie c\u0103tre formele simplificate.\">Titled &#8220;Prayer&#8221;, the work of art is now considered a representative of the first stage of development by simplified forms. <\/span><span title=\"Un an mai t\u00e2rziu, \u00een 1908, influen\u0163a lui Rodin avea s\u0103 devin\u0103 complet vizibil\u0103 \u00een prima versiune a \u201eMuzei adormite\u201c, sculptura unei fe\u0163e de femeie ale c\u0103rei tr\u0103s\u0103turi sugereaz\u0103 un bloc de marmur\u0103 nedefinit.\">A year later, in 1908, Rodin&#8217;s influence would become fully visible in the first version of &#8220;Sleeping Muse&#8221; sculpture of a woman&#8217;s face whose features suggest a marble block indefinitely. <\/span><span title=\"\u00cen acela\u015fi an, Br\u00e2ncu\u015fi sculpteaz\u0103 \u015fi prima sa lucrare cu adev\u0103rat original\u0103: \u201eS\u0103rutul\u201c, un studiu \u00een care figurile verticale a doi adolescen\u0163i \u00eembr\u0103\u0163i\u015fa\u0163i formeaz\u0103 un volum str\u00e2ns, cu linii simetrice.\">In the same year, Brancusi sculpts his first truly original work &#8220;The Kiss&#8221;, a study of two teenagers Figures vertical volume forming a tight embrace with symmetrical lines. <\/span><span title=\"Ce aveau toate aceste lucr\u0103ri \u00een comun?\">What were all these works have in common? <\/span><span title=\"Dincolo de o viziune estetic\u0103 unitar\u0103, era evident c\u0103 Br\u00e2ncu\u015fi identificase o nou\u0103 metod\u0103 de lucru.\">Beyond a uniform aesthetic vision it was clear that Brancusi had identified a new method of working. <\/span><span title=\"O nou\u0103 tehnic\u0103 sculptural\u0103, cea a cioplirii directe.\">A new sculptural technique, the direct carving. <\/span><span title=\"Rom\u00e2nul p\u0103r\u0103sea astfel tehnica sculpturii occidentale, abord\u00e2nd tehnica cioplitorului, cel care se a\u015faz\u0103 \u00een fa\u0163a blocului inform \u015fi \u00eencepe s\u0103 taie f\u0103r\u0103 a folosi un model de gips.\">Thus leaving Romanian Western sculpture techniques, addressing technique carver, who sits in the block inform and begin to cut without using a plaster model. <\/span><span title=\"Aceast\u0103 tehnic\u0103, pe care Br\u00e2ncu\u015fi o \u00eenv\u0103\u0163ase la \u015fcoala de meserii, fusese, p\u00e2n\u0103 atunci, abordat\u0103 doar de arti\u015ftii populari \u015fi de artizanii decorativi.\">This technique, which Brancusi had taught at vocational school, had until then only addressed the folk artists and artisans decorative. <\/span><span title=\"Instrumentele cele mai \u00eent\u00e2lnite \u00een timpul copil\u0103riei sale de la Hobi\u0163a, ciocanul \u015fi fier\u0103str\u0103ul, ajungeau astfel \u00een marile ateliere din Paris, capitala cultural\u0103 a Europei, la acel moment.\">The most common instruments during his childhood from Hobi\u0163a, hammer and saw, brings in major workshops in Paris, the cultural capital of Europe at that time. <\/span><span title=\"Pe atunci via\u0163a era frumoas\u0103 \u015fi armonioas\u0103.\">Back then life was beautiful and harmonious. <\/span><span title=\"De milenii, oamenii duceau, ferici\u0163i, o via\u0163\u0103 patriarhal\u0103.\">For millennia, people going, happy life patriarchal. <\/span><span title=\"Totul trecea lini\u015ftit de la un anotimp la altul.\">Everything went quiet from one season to another. <\/span><span title=\"\u015ei \u015fti\u0163i de ce s-au schimbat lucrurile?\">And you know why things have changed? <\/span><span title=\"Civiliza\u0163ia marelui ora\u015f a ajuns p\u00e2n\u0103 la noi.\">Civilization great city has come down to us. <\/span><span title=\"La Paris am dus-o greu, la \u00eenceput.\">Paris took it hard at first. <\/span><span title=\"Uneori m\u0103 \u0163ineam de ziduri ca s\u0103 nu cad.\">Sometimes I kept the walls that might fall. <\/span><span title=\"De foame.\">Hungry. <\/span><span title=\"De boal\u0103.\">Disease. <\/span><span title=\"Am lucrat, pentru a-mi c\u00e2\u015ftiga existen\u0163a, ca sp\u0103l\u0103tor de vase \u00een restaurante.\">I worked to earn my living as a dishwasher in restaurants. <\/span><span title=\"Eram un soi de paharnic.\">I was a sort of butler. <\/span><span title=\"Nu turnam vin boierilor.\">Do not pour wine boyars. <\/span><span title=\"M\u0103 specializasem \u00een sp\u0103latul paharelor. \">I specialize in washing glasses.<\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"Finalul: retragerea \u00een atelier \"><strong>Final retirement in the workshop<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span title=\"\u00cen 1918, Constantin Br\u00e2ncu\u015fi sculpteaz\u0103 prima versiune a \u201eColoanei Infinitului\u201d.\">In 1918, Constantin Brancusi sculpts the first version of &#8220;Endless Column&#8221;. <\/span><span title=\"Creat\u0103 dintr-o serie de elemente simetrice suprapuse, lucrarea este inspirat\u0103 de st\u00e2lpii caselor \u0163\u0103r\u0103ne\u015fti din Rom\u00e2nia.\">Created a series of symmetrical elements overlapping work is inspired by the pillars of peasant houses in Romania. <\/span><span title=\"Doi ani mai t\u00e2rziu, sculptorul rom\u00e2n face un salt teribil, din zona tradi\u0163ionalului, \u00een cea a \u015focantului, cu lucrarea \u201ePrin\u0163esa X\u201c, un portret al unei persoane imaginare care ia o form\u0103 falic\u0103.\">Two years later, Romanian sculptor terrible leap from traditional area in the shocking book &#8220;Princess X&#8221;, a portrait of an imaginary person who takes a phallic-shaped. <\/span><span title=\"Expozi\u0163ia declan\u015feaz\u0103 un adev\u0103rat scandal.\">The exhibition triggered a scandal. <\/span><span title=\"Poli\u0163ia intervine \u015fi-l oblig\u0103 s\u0103 scoat\u0103 lucrarea.\">Police intervenes and forces him to work out. <\/span><span title=\"Un alt scandal de amploare are loc \u00een 1926, c\u00e2nd, aflat \u00een vizit\u0103 \u00een Statele Unite, pentru o expozi\u0163ie la Galeria Brummer din New York, lui Br\u00e2ncu\u015fi nu-i este admis\u0103 \u00een \u0163ar\u0103 lucrarea \u201ePas\u0103re \u00een v\u0103zduh\u201c.\">Another major scandal takes place in 1926, when visiting the United States for an exhibition at Brummer Gallery in New York, Brancusi is not allowed in the country work &#8220;Bird in the air.&#8221; <\/span><span title=\"Lucrarea era at\u00e2t de abstract\u0103 \u00een ochii vame\u015filor americani, \u00eenc\u00e2t ace\u015ftia au refuzat s\u0103 cread\u0103 c\u0103 era o sculptur\u0103.\">The work was so abstract in the eyes of American customs officials, that they refused to believe it was a sculpture. <\/span><span title=\"Br\u00e2ncu\u015fi este chiar acuzat c\u0103 introduce clandestin o pies\u0103 industrial\u0103 \u00een Statele Unite.\">Brancusi is even accused of illegally enter the US industrial piece. <\/span><span title=\"Sculptorul se \u00eentoarce \u00een Rom\u00e2nia \u00een 1937 \u015fi \u00een 1938 pentru inaugurarea a trei lucr\u0103ri \u00eentr-o gr\u0103din\u0103 public\u0103 din T\u00e2rgu Jiu: noi versiuni uria\u015fe, \u00een o\u0163el, la \u201eColoana Infinitului\u201c, \u201ePoarta s\u0103rutului\u201c \u015fi \u201eMasa t\u0103cerii\u201c.\">Sculptor returns to Romania in 1937 and in 1938 for the inauguration of three works in a public park in Targu Jiu huge new versions in steel, the &#8220;Endless Column&#8221;, &#8220;Gate of the Kiss&#8221; and &#8220;Table of Silence&#8221;. <\/span><span title=\"Se bucur\u0103 de celebritate mondial\u0103, dar devine din ce \u00een ce mai retras, petrec\u00e2ndu-\u015fi majoritatea timpului \u00een propriul atelier, din Paris.\">It enjoys worldwide celebrity, but becomes increasingly withdrawn, spending most of his time in his workshop in Paris. <\/span><span title=\"Este \u00eengrijit de un cuplu de refugia\u0163i rom\u00e2ni, pentru care, \u00een 1952, accept\u0103 cet\u0103\u0163enia francez\u0103 pentru a le putea l\u0103sa \u00eentreaga sa mo\u015ftenire.\">It is cared for by a couple of Romanian refugees, which in 1952 accepted French citizenship in order to be able to leave his entire inheritance. <\/span><span title=\"\u00cen 1956, un articol din revista \u201eTime\u201c \u00eel descrie purt\u00e2nd \u201epijamale albe \u015fi o c\u0103ciul\u0103 galben\u0103 \u015fi orbec\u0103ind prin propriul atelier, printre capetele \u015fi coloanele f\u0103r\u0103 de sf\u00e2r\u015fit pe care le crease \u00eentreaga via\u0163\u0103\u201c.\">In 1956, an article in &#8220;Time&#8221; describes him wearing &#8220;white pajamas and a yellow hat and groping through his own workshop among heads and endless columns had created all life.&#8221; <\/span><span title=\"Se stinge din via\u0163\u0103 pe 16 martie 1957 \u015fi este \u00eenmorm\u00e2ntat \u00een cimitirul Montparnasse din Paris.\">He died on March 16, 1957 and is buried in Montparnasse cemetery in Paris.<\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Constantin Brancusi was born on 19 February 1876 in Hobi\u0163a, a small village from Pe\u015fti\u015fani, Gorj County, at the foot of the Carpathians. It is the fifth child of Mary and Radu Nicolae Brancusi. Although came from a family of wealthy peasants, Brancusi lead a modest life, but one who had to pick the landmarks &hellip; <\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"ngg_post_thumbnail":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"entry","1":"post","2":"publish","3":"author-stefan","4":"post-8796","6":"format-image","7":"category-biblioteca","8":"post_format-post-format-image","9":"has-format"},"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/sfioanevanghelistul.ca\/wordpress\/en\/wp-json\/wp\/v2\/posts\/8796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/sfioanevanghelistul.ca\/wordpress\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sfioanevanghelistul.ca\/wordpress\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/sfioanevanghelistul.ca\/wordpress\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/sfioanevanghelistul.ca\/wordpress\/en\/wp-json\/wp\/v2\/comments?post=8796"}],"version-history":[{"count":1,"href":"http:\/\/sfioanevanghelistul.ca\/wordpress\/en\/wp-json\/wp\/v2\/posts\/8796\/revisions"}],"predecessor-version":[{"id":8800,"href":"http:\/\/sfioanevanghelistul.ca\/wordpress\/en\/wp-json\/wp\/v2\/posts\/8796\/revisions\/8800"}],"wp:attachment":[{"href":"http:\/\/sfioanevanghelistul.ca\/wordpress\/en\/wp-json\/wp\/v2\/media?parent=8796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sfioanevanghelistul.ca\/wordpress\/en\/wp-json\/wp\/v2\/categories?post=8796"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sfioanevanghelistul.ca\/wordpress\/en\/wp-json\/wp\/v2\/tags?post=8796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}